All About the Authors

Helping edit, publish, and market your book.

Category: Writing (page 1 of 4)

Transforming Your Thoughts Into a Published Work

By Dr. Patricia Fitzhugh

When my ex-husband initially uttered the words “the move” on our 19th wedding anniversary, I had no idea that the events in the days following would become a published memoir of my middle-aged marital experience. These are just a few notes about my first publishing experience.

What prompted me to start writing?

I started writing this book, The Move, Memoirs of a Mid-Life Marital Crisis, five years ago but I didn’t start off with the intention of publishing a book. I was journaling about my feelings of anger, sadness, depression and the swift changes that were occurring in my life at the time. I decided to capture my raw emotions and feelings on a daily basis. Most of my inspiration to write came from reading about other people who had similar experiences, their stories were the ones that helped me want to share mine and help someone else just as others had helped me.

What were some of the steps I took to transform my notes into a book?

  1. I kept journaling until I ran out of words. This process is sometimes referred to as emptying out. Once my mind and heart were empty, I knew that this particular book was finished.
  2.  It took over two years to complete the editing process. Some of the editing was grammatical while other edits were content related.  I sought guidance from other writers who encouraged me to consider the level and extent of the details from my personal journal that I wanted to include in the book. I had to ask myself questions like, “How much of my life did I want to expose to the world?” Some of the content in my journal was explicit and I had to consider how this information would affect my children in the present and future. I also had to be sure that the content in the book was intended to serve as a mechanism for helping others and not hurting the people who may have been portrayed negatively.
  3. I turned the manuscript over to the publisher once I completed my edits. My book was self-published, so most of the work done by the publishing company included editing, formatting, cover design, printing, filing paperwork for the copyright, obtaining the ISBN number, getting the book online with Amazon, designing marketing materials, and announcing the book release.

 How did I find a publisher?

Many years ago when I first starting hosting women’s conferences, one of the speakers we invited to participate in the conference had a publishing company. She had published books by some of the other speakers that attended the conference over the course of several years. She also facilitated workshops about transforming manuscripts into a book. While my schedule didn’t afford me the opportunity to attend these workshops, the publisher had videos and a publishing guide on her website about the process that included pricing and a choice of plans. I was able to read about the process and research the services she offered. I would recommend you ask questions of friends who have published one or more books about their experience — both pros and cons.

What happened once I released my book?

I released The Move in 2016 at my first Women’s Expo in Baltimore, Maryland. It was a great experience primarily because I came to the realization that I didn’t know anything about promoting and selling a book.

Here are some key questions to consider when you are ready to release your book:

  1. What set’s your book apart from others in the same genre?
  2. Why should someone buy your book?
  3. How are you going to engage a person in a conversation to peak interest about your book and close the sale?

Here I was at a huge expo with a box of books and no plan. I thought people would just want to buy my book because it was me, “Dr. Patty”. Well, that wasn’t the case. Let me share with you some of the things I learned during this very important experience.

  1.  If you are going to sell your book at an event you must know the demographic of those registered or attending the event. I thought my demographic was middle-aged women 35 to 55 years old. However, when I got to the event, I learned was that most of the women ages 45 to 55 were already past the stages within my book. My demographic was women ages 35 to 40.
  2. Don’t rush your release. When you rush to get your book released you may not maximize all of your marketing resources. A marketing plan is necessary so that you can be sure to position your product to get in front of the right people. You also want to consider a social media plan and a profit plan.

 Is there anything I would have done differently on the release of this project?

In the next phase of my book promotion, I have actually worked on developing a marketing plan, social media plan and determined how much revenue I want to generate from book sales for the existing year. These tools will help me to reposition my product, monetize my message and establish benchmarks.

I hope these tips help you with publishing your book!

 Dr. Patricia “Patty” Fitzhugh is a speaker, entrepreneur, author, leadership consultant, television and radio host, women’s advocate, and visionary. But first and foremost, she’s a humanitarian who is committed to helping others find hope and offering her voice for human rights. For nearly 25 years, Dr. Fitzhugh has used personal life experiences and overcome challenges to inspire many to do the same. She is CEO of It’s A New Day, LLC, an organization she founded in 2013 now based in Chapel Hill, North Carolina.  The company is the media and brand marketing organization for Dr. Patty CARES, Dr. Patty LIVE, and Dr. Patty SPEAKS and produces a weekly Internet television show and blog talk radio show, Managing Mid-Life and Morning Coffee with Dr. Patty. This is her first book.

Contact her at 443-924-MLRC or by email at info@drpattycares.com.

Get Your Creative Juices Flowing!

This week marks the start of National Novel Writing Month, or NaNoWriMo, as it has come to be known. Whether you are embarking on writing a novel in one month, or you’re just using all of this talk of writing as inspiration, it’s a great time to get going on the writing projects you’ve been mulling over in your head. After all, we’re heading into fall and winter, where cold temperatures, snow, and rain will keep us indoors more than other times of the year.

Sometimes, all it takes is something like people talking about writing and NaNoWriMo to help get our creative juices flowing. But there are some other good ways to get started writing, or maybe help yourself over a writer’s block. Here are a few tips to get your fingers moving along the keyboard:

  1. Take a walk. Sure, it might seem counterproductive to leave your computer when you’re trying to write more, but research has shown that exercise actually boosts brain activity. It helps you focus and gives you the energy you need to come up with new ideas. Another plus, you never know what might inspire you while you’re out there walking!
  2. Try your hand at writing prompts. Sometimes coming up with an idea can be the hard part. Let someone else do that for you, and use your time practicing your writing! Here are a couple of websites I like:
    Writing Forward
    Language is a Virus
    The Write Prompts
  1. Keep a journal. Yes, it’s just more writing, but it’s a different sort of writing. Rather than trying to pencil-and-paper-writing-clipart-pencil-and-paper-clipart-egdvul-clipartdevelop characters or come up with dialogue, in a journal you just write your feelings. Many times, those journal entries are great fodder for future stories. And if not, they’re at least a way to get you in the writing practice more regularly.
  2. Read. Most of us don’t need permission to do this. If you’re a writer, most likely you’re also an avid reader. And reading other people’s writing is always a great form of inspiration.
  3. Turn off the phone and log off Facebook. Don’t you hate it when you’re in the middle of a great sentence and your text message alert beeps? Do you answer? Do you stop to read it? It’s like the bell for Pavlov’s dog, it’s hard to ignore it. After all, we’ve trained ourselves to think if someone is trying to contact us it’s important. And our phones aren’t our only distractions. When you’re writing and your mind starts to wander, it’s so easy to click over to Facebook and see what’s going on, or browse a few of your favorite blogs. If you really want to do yourself a favor, turn off all your distractions and focus just on your writing. You’ll feel so much better in the end.

Now that you’re inspired, check out our video on how to win NaNoWriMo. We want to see some great novels at the end of the month!

 

Why I Write by Peter Golden

Peter Golden is an award-winning journalist, historian, and novelist. His new book, Wherever There Is Light by Atria Books, delves into the little known history of the rescue of German Jews from the Nazis by traditionally African-American colleges. The book is described as a “love story that’s epic and truly felt”. Peter and nine critically acclaimed authors were featured at the Women’s National Book Association Charlotte’s 7th Annual “BIBLIOFEAST” Book & Author Dinner on Mon., Oct. 17.

golden  Time moves, and I find myself, frequently against my will, moving right along with it. I’m a different husband than I used to be, a different father, and a different writer. Where my family is concerned, I’m different because in so many ways, large and small, what your loved ones need from you changes with the passing years. Yet I’m a different writer because the reasons I write have shifted, leaving me to marvel at how naive I once was and, I’m happy to say, how dedicated I have remained to the craft.

As a young teenager, long before I began writing seriously, it occurred to me that I had only one life and writing would enable me to enter worlds that were closed off to me—from pitching in a World Series at Yankee Stadium to residing in eighteenth-century Williamsburg or serving as your newly elected president.

By the end of college, I was familiar with Henry David Thoreau’s observation that most people wind up mired in quiet desperation, and since I was philosophically opposed to sustained misery, I started writing on a daily schedule. Thanks to the enchanting gift the young possess for self-deception, I soon convinced myself that writing was an effective method for bending reality in my preferred direction. Absolutely ridiculous, I know. And in my case, absolutely true.

Less than ten years later, I was earning a living by writing, and I knew that I was lucky to go to an office in my own house and pay my bills by doing work I enjoyed. Still, money, like love, is usually something you think about only if you don’t have enough, and although by my thirties I felt relatively secure in my career, on occasion I asked myself why I got up every morning to face a blank page.

Honestly, I’m not sure I had a good answer to that question back then.

Now, after writing almost every day of my life for over thirty-five years, here is what I discovered: nothing, other than the joys of family and friends, gives me more pleasure than writing a sentence that informs me emotionally or intellectually. Of course, I hope others are touched or informed by that sentence. But if not, at least I tried.

And I wrote the sentence.

Peter Golden was born in Newark, New Jersey and grew up in the suburbs of South Orange and Maplewood, New Jersey, where he graduated from Columbia High School. He attended Ohio University for two years then transferred to SUNY Albany, graduating with a BA in Philosophy. He lives in Guilderland, New York, with his wife, a communication professor at University at Albany.

Want to write a guest post for All About the Authors? We welcome guest posts from authors and those who are experts in the book industry. What is your writing process? Where are you in your publishing journey and what advice do you have? Have you successfully marketed your book and do you have tips to share? All About the Authors wants to hear from you! If you’re interested in submitting a guest post to All About the Authors, please send your information and topic idea to priscillagoudreausantos@gmail.com with the subject line “Guest Post”.

 

From the Cupboard by Susan Crawford

This guest post is written by Susan Crawford, author of The Pocket Wife and The Other Widow by Morrow-Harper Collins. She and nine critically acclaimed authors will be featured at the Women’s National Book Association Charlotte’s 7th Annual “BIBLIOFEAST” Book & Author Dinner on Mon., Oct. 17.

susan-crawford-9780062362889_1_a0496Readers occasionally ask me where I get the ideas for my books. “Well,” I say, “there was this article in the newspaper equating homicides with mental illness,” or, “There’s so much more to PTSD than soldiers coming back from war,” or, “I thought it would be challenging to write a sympathetic ‘other woman.’” And these are reasons for writing what I write. They are, at least, the origins, the seeds. What sprouts from them though, the stories, the characters that populate the living rooms, the subways, the streets, and ultimately the pages of my books, are not as easy to explain. In a way, they’re far less rational.

They live inside my head. Like dreams or words I’ve overheard, they dance onto the page. I unlock a cupboard and the characters spill out. With a little nudge they grow and blossom. They invent themselves, become the people that will talk and love and die and kill for the next year of my life, the next three hundred pages. The voices of dead fathers whisper in their ears or turn their hearts to stone. A pinkish sky, a certain smell, a sound, can snatch them from their lives and set them down beside a beach decades before or underneath a blanket from the Andes in a winter room with dirty glass, a broken wall.

For me, the characters make the plot work. They should grab readers by the hand and spirit them away – to a party, down an icy street at midnight, to a lover’s rented room – toward a happy ending, toward redemption, hope, or straight into a wall. Whether they are sunny or demonic, honest or deceptive, they must entice the reader to be right there with them – missing phone calls, burning dinners, losing sleep – following with loyalty and expectation, waiting for motives to come to light, for actions to jar, to change events, to make a difference, to enlighten and inspire. The characters can be right or wrong, good or not so good, as long as they’re believable, as long as they can touch the reader in some way.

book-jacket-the-other-widowMaybe they’re composites, bits and pieces of people I’ve known, or seen or heard or been.  Or maybe they’re forgotten words or incidents I’ve tucked away to look at later, to sort through and analyze, to try to make sense of the world. Maybe that’s what we all are underneath, behind our flesh and tears and smiles – composites of our pasts, of those we loved, or touched, or couldn’t quite, of those we lost. Maybe we’re like antennae shifting through space, picking up frequencies, picking up stories, other places, other times, other rooms. Maybe I am really just a scribe.

I don’t write about real people. I write fiction. But I wonder sometimes if the two are all that different – if their fragments and details fall together in a certain way to make a character in fiction rather than my next-door neighbor or my friend from high school. I’ve read that there are only seven basic stories told in countless ways – the human condition, thrown down like cards to land in myriad configurations – Dorrie from The Other Widow, different from the woman in the book I’m writing now because she grew up in a different place, a different situation. Just as we are molded by circumstance and chance, by where we landed and began and where we go from there, the characters fall from their cupboards, brush themselves off, and march onto the page.

Susan grew up in Miami, Florida. She later moved to New York City and then to Boston before settling in Atlanta to raise three amazing daughters and to teach in various adult education settings. A member of The Atlanta Writers Club and The Village Writers, Susan works for the Department of Technical and Adult Education and is a member of her local planning commission. She now lives in Atlanta with her husband and a trio of rescue cats, where she enjoys reading books, writing books, rainy days, and spending time with the people she loves.

More about Susan:  wwwsusancrawfordnovelist.com, Twitter: crawfordsusanh, Facebook: Susan Crawford Author

Want to write a guest post for All About the Authors? We welcome guest posts from authors and those who are experts in the book industry. What is your writing process? Where are you in your publishing journey and what advice do you have? Have you successfully marketed your book and do you have tips to share? All About the Authors wants to hear from you! If you’re interested in submitting a guest post to All About the Authors, please send your information and topic idea to priscillagoudreausantos@gmail.com with the subject line “Guest Post”. 

 

The Perils of Too Much Self by Ashley Mace Havird

This guest post is written by Ashley Mace Havird, author of debut novel, Lightningstruck, by Mercer University Press. She and nine critically acclaimed authors will be featured at the Women’s National Book Association Charlotte’s 7th Annual “BIBLIOFEAST” Book & Author Dinner on Oct. 17.

head-shot-ashley-havirdI grew up on a South Carolina tobacco farm from the mid-1950s until the early 1970s. As the main character, eleven-year-old Etta, says in Lightningstruck: “The entire year seemed like a patchwork quilt whose pattern told the story of tobacco.” Growing tobacco was like a ballet, a symphony whose final movement reached a crescendo in the end-of-season market with its “toasty smells of cured tobacco, the taste of boiled peanuts, the singsong speed-talk of the auctioneer.” The economy of the area depended on farming, and tobacco was the cash crop. During the market days, in fact, people would joke that the entire town of Mullins, with its enormous warehouses, “smelled like money.” I took for granted, as all children do, that this world would last forever.

I left home for college and never returned for good, but I visited my family often—still do. With the demise of the domestic tobacco industry accelerating in the late 1970s and early ’80s, my father and brother, like so many other lifelong farmers, gradually gave it up. The landscape of the area, its wooden stick barns already having given way to aluminum “bulk” barns, and sophisticated machines having replaced much of the manual labor—this landscape changed even more dramatically. The vast fields of green leaf vanished, and the economies of rural communities collapsed. The landscape of my memory vanished and took its people with it.

Around fifteen years ago, I was a fiction-writer-turned-poet. But I wanted to recreate this lost world in a longer form than poems afforded. So, I jumped in with what I believed was a memoir. But in the end, my life was interesting only to me. The interest, I discovered after much fumbling, lay not so much in my personal story but in the fabric of the times, the radical changes occurring on so many levels. There was the good, the bad, and the ugly of the tobacco industry, with its hierarchy of wealthy and health-problem-denying industry leaders down to laborers who worked from “can’t see to can’t see.” There were the tensions of the Civil Rights Movement, which was finding its way even into our closed-in part of the South. The Vietnam War was ramping up. All of this occurring during a girl’s coming of age, which included painful discoveries about herself and family and society—troubles that, when purely my own, were not particularly interesting, although they could be if I could only exaggerate …These things drew me towards the novel, towards inventing. I began to see that this was the only way I could explore the larger truth I was after. Besides, my precious memoir was flat-out boring.

I had major problems to solve. What to do about self-indulgent scenes and a plot that was loose at best? The horse, which became the main source of tension in Lightningstruck, was a minor character. The story’s all-important “trouble” was vague, ill-defined.

Nothing to do, of course, but to begin the slaughter: I had to kill many darlings, nearly all of them, and create brand new ones. Without new characters, such as the eccentric civil rights activist, Miss Cass, and the young archaeologist, Dr. Raintree, the book would have been stuck like an insect in amber. I shifted the story into third person to further detach my Self from Etta, and I allowed Etta’s problems to become far more exciting than mine ever were. I was able to keep my central characters, unlocking them from their chains to actual people, and I “grew” the horse, Troy, until he haunted me and became for Etta the major antagonist he had to be.

The tearing down, rethinking, and rebuilding, added years to the novel’s progress. It was only the curiosity and passion I had for the world I was bringing back, the love for my characters, and my own stubbornness that made the final draft—once again in first person—possible. Would I have been able to complete the book if I hadn’t put myself through all these contortions? I have no idea. I’d certainly have saved myself grief and time if I’d identified the genre to begin with.

Still, there is no question but that the autobiographical elements enrich Lightningstruck. Beyond the story of Etta’s coming of age by way of a treasure-hunt with a lightning-scarred horse, the book is an elegy to a past world, an homage to people I knew and loved. It is a sort of archaeological exploration of what it means to dig for truth, beneath tobacco fields and down through layers into the past—a truth that, when found, is as much mine, and I hope the reader’s truth, as it is Etta’s.

Ashley Mace Havird grew up on a tobacco farm in South Carolina. She has published three collections of poems, including THE GARDEN OF THE FUGITIVES (2014), which won the 2013 X. J. Kennedy Prize. Her poems and stories have appeared in many journals, including Shenandoah, The Southern Review, and The Virginia Quarterly Review. Lightningstruck, winner of the 2015 Ferrol Sams Award for Fiction, is her first novel.

Want to write a guest post for All About the Authors? We welcome guest posts from authors and those who are experts in the book industry. What is your writing process? Where are you in your publishing journey and what advice do you have? Have you successfully marketed your book and do you have tips to share? All About the Authors wants to hear from you! If you’re interested in submitting a guest post to All About the Authors, please send your information and topic idea to priscillagoudreausantos@gmail.com with the subject line “Guest Post”. 

 

7 Essential Tech Tools That All Writers Need To Have

Laptop on deskIt’s now easier than ever for writers to take their work from an idea to a published manuscript. The advances in technology and rise of the Internet offer a platform for authors that’s creating a self-publishing revolution. Additionally, websites like www.AllAbouttheAuthors.com help guide you through the process.

There is also a vast array of wonderful apps and tech tools that support writers during all stages of their writing. These seven are essential for modern authors and will help you make your book into something that will take the world by storm.

Scrivener 

By far the most comprehensive tool on the market, Scrivener is a word processing app on steroids. It allows you to set up a personalized writing studio that includes a virtual cork board and summary tags. You can easily organize research, write documents, and edit them individually or as a group. 

The outliner tool allows you to create synopses and metadata for each piece of work so they can be easily navigated. This is perfect for those writing books because you can divide the manuscript into smaller sections while keeping a detailed overview of the whole project. It’s also great for freelancers who are working with multiple clients at once.

Wunderlist

Wunderlist is a fantastically useful online to-do list. Each point opens up an individual card where you can add additional comments, files, due dates and reminders. It also allows you to network with teams for collaborative projects and easily assign different tasks to members. 

Any author knows that the actual writing of your book is only a miniscule part of the process, so having a tool that can help you organize all of your marketing, liaising, planning and formatting as well is infinitely useful.

ExpressVPN

 For writers, your computer is the most precious piece of equipment you own. Due to this, keeping it safe and secure is an essential pursuit. One of the greatest dangers to a writer’s online security comes from the necessary evil of relying on public WiFi. Whether it’s having an intensive writing session in your local coffee shop or checking emails on the train, these notoriously insecure networks are hard to avoid.

Using a VPN such as ExpressVPN is a great way to secure yourself when out-and-about because it encrypts all of your data and allows you to browse without any risk. It also lets you bypass geo-blocking restrictions, which can be an added bonus when performing research.

 F.lux

 For authors, a large amount of the day is spent staring at a computer screen.  While this is when the magic happens, it also takes a nasty toll on your eyes. F.lux is a truly handy tool that, once installed, adjusts the tones and brightness of your screen based on time of day to help reduce the damaging affect.

It’s also great for those of us who find ourselves writing into the early hours of the morning. It does so by naturally dimming the lights. It encourages you to adhere to your circadian rhythms and sleep better. 

Hemingway

The Hemingway readability software is a wonderful tool that helps you clean up your manuscript after the first draft. Providing a user-friendly system that highlights words and phrases in different colors, you can get an objective view of how well your work reads.

Yellow highlights overly complex sentences. Red means it’s too long and meandering to understand. Other colors represent other areas of your writing that demand your attention. I’d never recommend you rely on this completely but it does provide a useful alternative perspective.

Cold Turkey

One of the greatest pitfalls for authors is distraction. We live in a world of constant connection to our friends, colleagues, and unlimited entertainment. This is why Cold Turkey is perhaps ones of the most useful tools in a writer’s arsenal.

Its bulletproof format allows you to schedule blocks on specific websites or even your work email. It is very difficult to stop, edit or uninstall the program once the timer has begun. This means you can easily get into an intensive writing session without anything drawing your attention away.

Writer’s App

 Creativity is something that can’t be scheduled; often you can find yourself in the most inconvenient situations when a moment of brilliance comes to you. Writer’s App is an easy-to-use planning software for novelists, which lets you jot down ideas for books in an organized and easily-navigable manner.

The user interface was presented as a work desk. Books are organized by title and, once opened, have sub-sections for plot, characters and others, or can be viewed by chapters. As simple as this app is, it truly is one of the most useful tools available for brainstorming ideas.

Do you know of any other tools that deserve a place on this list? Have you used any of the tools listed above and want to share your thoughts? Be sure to leave a comment below, as I’d love to hear your ideas!

About the Author: Caroline is an entertainment blogger for Culture Coverage. She’s written all throughout her life and is probably working on some project right now. She loves how technology has revolutionized the way we write!

Want to write a guest post for All About the Authors? We welcome guest posts from authors and those who are experts in the book industry. What is your writing process? Where are you in your publishing journey and what advice do you have? Have you successfully marketed your book and do you have tips to share? All About the Authors wants to hear from you! If you’re interested in submitting a guest post to All About the Authors, please send your information and topic idea to allabouttheauthors@gmail.com with the subject line “Guest Post” or comment here.

 

Take a Break, It’s Good for You

A lot of times the advice writers get is to write, write, write. Write in journals, write blogs, and if you’re writing a novel, stick with it and write some every day. While it is important to keep to a schedule, and set aside a time every day to write, I’m here to say that once in a while it’s a good thing to take a break.

Celebrating the Fourth of July, a holiday weekend that I took as a true holiday, without doing any writing, I was inspired to write about that break for this blog.

I’m not saying put your computer away and forget about writing, or give in to the writer’s block that’s kept you from starting the next chapter of your book. I’m just saying that once in a while, a mental break can be a good thing.

Here are a few things you’ll find after a break:

  • You can look at what you’re written in a new light. That chapter or paragraph you were struggling with all of a sudden find its way.
  • You might find you’re inspired to write with a fresh outlook, and the words come rushing out.
  • It’s easier to edit what you’ve already written when you take a few days to step away from it. The material isn’t as close to you and you can look at it with fresh eyes.

The amount of time you stay away is totally up to you. It might be you just need a day to get away from the computer and give yourself some time for something else. Maybe a three-day weekend to spend a holiday with your family will give you the energy you need. Or maybe you need to put away your novel and let it sit for a few months, coming back to it when you’re energized and refreshed.

Once you’re had that break, get back to the other piece of advice writers get: write, write, write. The way to get better is practice!

Middle Grade, Young Adult, New Adult, Adult?

Recently, I had a client come to me with the first draft of his novel. He’d told me it was a Middle Grade novel, meaning one written for readers from 8-12 years old, in grades running form 3rd– 7th or 8th grade.

As soon as I read past the second chapter, though, I knew this book couldn’t be a middle grade book. The book had multiple narrators, many of them adult, although two main ones were in their early to mid teens. There were violent war scenes. There was a threat of rape. There was swearing.

I had to write a very tough editorial letter, outlining the reasons why the book could not be a middle grade book, and giving direction in how to make significant content changes in order to make the book middle grade, or how to expand the word count and turn the book into an adult book. He took my advice very graciously, and is now lengthening the book so that it meets the requirements for an adult novel.

The author had thought he was very close to being able to submit to publishers, and now has a lot of work ahead of him. It would have been easier if he’d done a little research about what the parameters are for different age groups. Here’s a little help to those who are looking for guidance:

Middle 41ZC4ElC6wL._AC_US160_Grade Novels, written for those 8-12, word count from 30,000 – 50,000 words. Usually one to two protagonists in that age range, although can be a year or two older, usually in third person but can be first. No sex, no graphic violence, no swear words. Usually a coming of age book, focused on friends and family. Examples: Percy Jackson books (author Rick Riordan), Wonder by R.J. Palacio, Harry Potter books (J.K. Rowling), When You Reach 51VlKD1aucL._AC_US160_Me (Rebecca Stead)

Young Adult (aka YA) novels, written for those 13-99 (these books have many adult readers), word count from 50,000 – 80,000. Usually one to two protagonists, aged from 13-18. Voice third or first, but usually first. Limited profanity, there can be sexual content but not graphic details, no horrific violence. Usually YA books are about finding your place in the world – where do I fit in? The Fault is in Our Stars by John Green, The Perks of Being a Wallflower by Stephen Chbowsky, The Catcher in the Rye by J.D. Salinger.

New Adult (NA) – written for those 18-99, this is a new genre, not entirely fully endorsed by the reading and publishing world, wherein the protagonist is in college or just graduating and in the new world of work, with her first apartment and job. Length – 60,000 – 80,000 words. First or third person, usually single narrator. I don’t yet have a stand-out, easily identifiable New Adult book to reference for you, but would welcome any suggestions from NA readers, as judging by the books on Goodreads for this genre, there’s a lot of romance overlap.

The bottom line is to do your research, read a lot of books in the age range that you are writing for, and hire a professional editor to assist you. Just as you would not attempt to play baseball without a coach, you should not attempt to write without an experienced coach as well. Find an editor who can be honest, encouraging, and insightful.

 

 

 

The Wonder of a Workshop

groupIt’s been 10 years since I attended my first writer’s workshop, but I still remember it like it was yesterday. It was a pretty small workshop, with the three basic genres you find at most workshops: fiction, poetry, and creative non-fiction. The real draw for me was the faculty. One of the three was Sherri Reynolds. I had heard her speak while I was a college student, and read some of her books. I was in love with her passion and excitement for writing, and knew that I would be inspired just being around her.

I was probably an anomaly at the workshop. I wasn’t really “working” on anything, so to speak. I haven’t written a novel, I don’t write poetry, and at the time I wasn’t even trying to write short stories. But I was making a living as a freelancer doing editing and writing jobs, and I figured the workshop would be a great way to improve my writing skills, as well as serve as inspiration and also some practice for when I did find time to start writing the fiction I’d always dreamed about.

It was a short three-day conference, but the experiences I took away from it were priceless. I’ve attended a few other one-day conferences here and there, and every time I come away armed with inspiration and great feedback and advice. Here are a few reasons why I think writer’s conferences and workshops are a good investment.

  1. You get a chance to be around other writers. For most of us, writing is pretty much a solitary endeavor. And it can sometimes get lonely. Attending a conference gives you a chance to be around other writers, where you can share your ideas and frustrations with a group of peers who understand, because they’re going through the same thing.
  1. The feedback. Need I say more? Whether you get feedback from the faculty or other attendees, or both, it’s always good in helping improve your writing.
  1. Networking. If you’re working on something that you hope to one day get published, attending a conference is a great way to meet other writers and make connections that can help you out down the road. You might meet someone who knows an editor or an agent that would be helpful, or other writers who could serve as reviewers for your book once it’s published.
  1. Fresh ideas. As I said at the beginning of this list, writing is often something we do alone, and because of that it might be harder to find ways of doing what some professions call continuing education. Writers workshops and conferences are a good way to get out and find out what’s new in the publishing industry, new trends in the writing world, and even fresh ideas when it comes to style and tone.
  1. A chance to try something new. This might not be true for everyone, but it was for me. In my work I mostly write non-fiction. But I attended a workshop in the fiction genre, to experiment and go outside my comfort zone. It was exhilarating. Some people might not want to do that, if you’re a poet and need to focus on your poetry, it’s fine to stick to one thing. But the opportunity to try something new exists.

It’s pretty easy to find a conference that’s affordable enough and close enough to make it worthwhile to attend. Poets & Writers has a great database that you can use to find something near you. And if you can’t make it to a conference, you can join a local writer’s group. You get a lot of the same benefits there, free, local and on a regular basis!

Get Paid to Write

picture-dollar-signI have had conversations that go like this for years now:
“What do you do for a living?”
“I’m a writer,” I say.
“Oh, what kind of writer?”
“Well, I write to pay the bills.”

I say that as a way of saying to people, you probably haven’t read anything I’ve written. I haven’t published a best-selling novel or a self-help book that has changed people’s lives. I haven’t even had articles published in well-known magazines such as The New Yorker or Redbook. But I have been working as a freelance writer and editor for 10 years, getting paid to do what I love, and enjoying almost every minute of it.

Many writers have dreams of writing the Great American Novel, signing a lucrative contract, and living off royalties for the rest of their lives. But most of us are realistic enough to know that rarely happens. And while many writers also have other types of jobs to pay the bills, careers like teaching, nursing, banking, or countless other nine-to-five-type jobs, you can make money by writing. It’s just a matter of persistence and patience.

Here are some ways to get paid for writing, while you work on that big novel you’ve always dreamed of.

  • Use a Freelance Website. Sometimes you see them referred to as content farms, these companies that specialize in matching up freelancers to jobs. Warning! These are usually very low-paying jobs. (Hence the moniker content farm.) But if you have the time to fill out the applications or proposals, and don’t mind working for pennies in order to get a few paid gigs under your belt, it’s not a bad place to start. It’s at least worth a look.
    Some examples: Upwork, Demand Media Studios, and iFreelance.
  • Network. As with any job, who you know is important. Networking is one of the best ways to find writing jobs. Talk with other people who are writing for magazines or blogs and ask them if they would refer you. Make use of your LinkedIn profile to let people know you’re in the market for writing jobs, and also message people who you think might need some writing done to let them know you are offering your services for hire.
  • Join Associations. Organizations like the Editorial Freelancers’ Association and the Non-Fiction Authors Association are a good way to network. Some post jobs or allow you to post a profile available for people looking for freelancers. They also offer classes and support for freelancers.
  • Query. The good old-fashioned cold call is still one way to get jobs. Invest in a recent copy of the Writer’s Market, it’s a great place to find editors and contact information all in one place. Then get your ideas together and start emailing. You never know when that emailed query will turn into an actual paid job. And sometimes a regular position as a contributing writer!
Older posts