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If you’re lucky and if you look for it, during the writing, rewriting, and submitting process, you’ll get some feedback and advice. In erythromycin ophthalmic ointment purchase, I talk about why agents don’t often give any feedback (or even a rejection) these days. So if you get some, it’s valuable. It can be hard to take criticism, even when it’s constructive, so here are some tips:

1. If you can’t take criticism early and in private, you’ll get it later and in public.
If you have a hard time hearing where your book might be flawed from your friends, beta readers, and your editor, pause, take a deep breath, and vow to dive in and deal with it anyway. Because if you don’t fix those flaws, they won’t magically disappear. It’s much better to hear this feedback now, when you can still address the problems, then to read about them in a review, after your book has been published, when you can’t fix it, and everyone can see the criticism.

2. Take it with the intention it is meant
Editors only want your work to be the best it can be. We have no skin in the game if you don’t take our advice and don’t address your manuscript’s issues, so there is no incentive for an editor to make bad or erroneous suggestions. Your friends and family don’t want to see you be embarrassed. Your writing group just wants to help you improve and to give equivalent feedback to what they’ve been receiving from you. No one is trying to demoralize you or put you down. This isn’t about you; it’s about the story (even if it’s memoir). If someone does make personal pot-shots, cut them out of the loop permanently.

3. Get multiple opinions—do they all agree?
One of us had a client who had a big flaw in his book. He didn’t take her advice. But he mentioned that another reader had pointed out the same problem. So he ignored two readers’ suggestions to fix it. He was later taken to task for this error in a review. Moral of the story: if multiple readers are pointing out the same problem, then it really is a problem and you need to look at it more closely. If more than one person isn’t getting something in your story, you haven’t made it clear regardless of how you meant it to read. Feel free to get a second opinion. Multiple readers are a great idea. What more than one of them points out is something you need to pay particular attention to.

4. Do not respond in the heat of the moment. Do not.
Sleep on it. Sit with it for a few days. The immediacy of hurt will fade and you’ll be able to see the issue more plainly and without the clouds of emotions. This is especially true if the criticism is something in public such as a review or an online comment. Don’t address those at all. They never end well. Everyone is entitled to his or her opinion.

purchase erythromycin5. Do not awfulize.
Criticism does not equal “I hate it.” The longest editorial letters I write are for the books I really love. There’s a thin line between love and hate. The opposite of love is indifference. That’s where the real danger lies. But if I have a hundred issues I pointed out, that doesn’t mean you’re awful or the book’s awful or you’re never going to get published. It just means you have a hundred issues to look at and think over.

6. Listen to buy erythromycin topical solution about dealing with criticism

7. Read this book about hate mail: buy erythromycin gel

8. Rone_star_amazon_reviewsead buy erythromycin eye ointment online scathing reviews of books that are now classics.

Appreciate that there are people who want to help your writing improve. And it will. Writing is a skill and it gets better with practice, and with coaching. No one is born writing like Shakespeare, not even Shakespeare himself.

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Most writers, when they think of publishing through traditional channels, think of the big guys: DalkeyHarperCollins, Random House, and the like. And to get in those doors, you do need a literary agent. But what happens when you start hearing a lot of “No” from agents? Or hearing nothing at all? Is your reaction, “Well, then I guess I need to self-publish!” Hold off, because there is a vast area in between. In buy erythromycin ointment online this week, I talk about three reasons you should very seriously consider going with a small press before turning to self-publishing.

There are an estimated two thousand publishers in the United States. Many of them belong to the buy erythromycin ophthalmic ointment (which is why it has been confusing for self-publishing to John F Blairstart calling itself “indie publishing.” There already have been independent publishers around for decades.) Many if not most small publishers do accept unagented submissions. Many have very targeted publishing focuses, which can make it easy to find the right publisher for you. They can take more risks, and you can be a big fish in a small pond instead of the reverse. Small presses might haveMilkweed a regional bent, might be not-for-profit, might be affiliated with a university, or might be on the verge of growing into a major player.

When looking for a small publisher that might be right for you, keep these three questions in mind:

  1. Who does their selling and distribution? There are a number of distributors for small presses, and those distributors are very important in allowing the small presses to get appointments with and sell into the bookstore chains, major independent bookstores, and libraries. Their warehousing and shipping consolidation makes your publisher seem more like one of the big guys. You want to be sure your publisher’s relationship with their distributor is strong and firm—and not likely to change right after your book has released.
  2. What other books do they sell? Who will be the other books in the catalog next to yours? What books will your book be next to? Is their publishing philosophy one your agree with acrCoffee Houseoss the board? This isn’t the time to get desperate and go with the first offer that comes your way—check out their other books and see if you think the editorial and production values are what you want, that the website is up to snuff, and that they give the professional feel you are looking for.
  3. Is this a stepping-stone or are you looking for a lifelong relationship? Plenty of authors stay with the small publisher that believed in them and gave them a chance, while others move on to greener pastures when they have the clout to do so. Which future you prefer should affect the contract you sign with the publisher. If you will be unagented, read carefully the options clause and see if you’d like it to be more narrowly defined. Or you can try to get a two-book deal. When you don’t have an agent you need to read up on the aspects of a publishing contract and fully understand the various clauses and what they will mean for your career.Forest Ave

So before you give up on your dream of being traditionally published, you need to fully understand everything that falls under the umbrella of traditiGraywolfonal publishing. This is not a business for the impatient; keep submitting, keep researching, keep trying, as there are hundreds more options than just The Big Five. Small press publishing just might be right for you.